All Pierre-Auguste Renoir 's Paintings
The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters
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Choice ID Image  Painting (From A to Z)       Details 
60494 Woman on a Couch  Woman on a Couch   Woman on a Couch (Gabrielle), 1906-1907
37373 Woman with a Cat  Woman with a Cat   mk125 National Gallery of Art Gift of Mr.and Mrs.Benjamin Levy
82966 Woman with a Hat  Woman with a Hat   Date 1891(1891) Medium Oil on canvas Dimensions 56 x 46.5 cm (22 x 18.3 in) cjr
71988 Woman with a Parrot  Woman with a Parrot   1871 Oil on canvas 36 1/4 X 25 5/8 inches (92.1 X 65.1 cm)
79157 Woman with a Parrot  Woman with a Parrot   1871 Oil on canvas 36 1/4 x 25 5/8 inches (92.1 x 65.1 cm) cjr
60498 Women Bathers,  Women Bathers,   Women Bathers, 1916, National Museum, Stockholm, Sweden
41301 Young Girl Bathing  Young Girl Bathing   mk161 Oil on canvas 32x25cm
54083 Young Girl with a Parasol  Young Girl with a Parasol   mk235 1883 Oil on canvas 130x79cm
56351 young girls at the piano  young girls at the piano   mk247 1892,oil on canvas,45.625x35.375 in,116x90 cm,musee d orsay,paris,france
70840 Young Ladies Playing Badminton  Young Ladies Playing Badminton   Young Ladies Playing Badminton
84934 Young people in the street  Young people in the street   Medium Oil on canvas Dimensions 63,5 x 49 cm cjr
88746 Young people in the street  Young people in the street   Oil on canvas Dimensions 63,5 x 49 cm cyf
96595 Young Woman Braiding Her Hair  Young Woman Braiding Her Hair   1876(1876) Medium oil on canvas cyf
88511 Young Women with a Fan  Young Women with a Fan   1880(1880) Medium : Oil on Canvas cjr
88211 Zwei Madchen am Klavier  Zwei Madchen am Klavier   1892-1893 Medium Oil on canvas Dimensions Deutsch: 69 x 59 cm cjr
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Pierre-Auguste Renoir
French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.



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